Tambourines to me are like cymbals to a set drummer. Each one has its own sonic qualities AND you can’t stop at only one. They are a percussionist’s workhorse. I rarely go to a gig without one or two. The tambourine family spans mutiple cultures and many many variations.
I recently purchased a Black Swamp Chromium & Bronze Tambourine (TC1). First off, it is a beautifully crafted tambourine. The finish is excellent. The wood, head, and jingles are first class. I liked placement of the jingle pins (heads are under the skin). The pins will not fall out as time goes by. The texture of the skins provided a great surface for finger rolls.
Sonically, it was a pleasant surprise. I was looking for a “darker” tamborine. I expected the bronze to add that sonic quality. But, the mix of Chromium jingles added a lighter quality. This tambourine is darker and softer then a german silver. These qualities allowed it to have an “earthy” quality to the sound. It blended well with congas. Being softer, the sound was a bit more controlled and “drier” with less sustain. This worked well in the studio where too much overtones and volume can drive the engineer a little crazy.
I always like a headed tambourine. It gives me more sonic options (slaps, rolls, finger hits and so on). I use a lot of pandeiro techniques when I play, so the “head” is a must. This head performed well. I have heard that the head sometimes seperates from the hoop and may need to be relacement more often but I haven’t seen any problems yet. I’ll keep my eyes on it. They provide a head repair kit. But, it’s not what I would want to do in the middle of a gig.
Overall, I have truly enjoyed this instrument. Go check them out at www.blackswamp.com